Original Title:


28 DAYS LATER






Alternative title(s): 29 Days Later (an uncut US TV version I believe)

Year of Release: 2002

Duration: 113 Minutes

Country of Origin: UK

Tagline(s):
Day 1: Exposure - Day 3: Infection - Day 8: Epidemic - Day 15: Evacuation - Day 20: Devastation. - UK Poster

Reviewed Version: UK PAL DVD 18

Review:

By Michael Petch
  9th May 07

I saw this film when it was released in 2002, back at the Odeon near Lincoln University (happy days). I loved it. Being a student, I was well up for any kind of horror sci-fi. Now, I’m off to watch a preview of 28 Weeks later (I know, I know, by the time your reading this its probably 2012 or something and EVERYBODY will have seen it) so I thought I should re-equate myself with the franchise now that my tastes have, ahem, matured. My main mistake? To watch it on my own in the dark with the door out of view behind me.

Those silly scientists have been at it again. Will they never learn? After developing the RAGE virus in a lab to "learn", the virus is accidentally let out by a group of animal rights activists. Through the film we get little snippets of what happened, and it obviously wasn’t nice. People are infected within 20 seconds of contact with the blood (being bitten or getting some in your mouth, a scar or even your eye). Then it’s all zombie like. The zombies don’t have any special powers, but boy are they fast, and speed is frightening. 
The story focuses around Jim (Cillian Murphy), just a regular nice guy who happened to be in a coma when the virus struck.

28 days after the virus starts, Jim wakes up in a hospital. Unaware of why he's there and why there are no people, he sets off to explore. London is empty (so very similar to John Wyndham’s excellent Day of the Triffids). There are some stunning shots of famous London landmarks all deserted. During the day he sees nobody and it's all quite chilling. Finally, when dusk begins to fall he makes his way into a church where bodies are piled high. Hiding in the bodies are virus victims who are still alive. Jim is luckily a quick thinker and realises that these guys do not simply want to make friends. He runs away but is certain to be caught. The virus victims run like maniacs with flailing arms and lots of snarls and grunts, lots of puking up blood etc. Luckily, he's not the only survivor. Two people help him out, blowing up an entire petrol station to fry the infected. Selena (Naomie Harris) is one of the two who rescue him (the other guy is soon dead), a woman with a strong survivalist nature and one who puts herself ahead of everything else. As the story progresses they meet a man and his young daughter who have blockaded themselves into their tower block home. Again, everything is quite bleak. They rumour about the possibility of the virus reaching the rest of the world, and they seem to have very little hope. On top of that they have next to no water.

What to do? Do they scavenge for supplies and hold out as long as possible? The father, Frank (Brendan Gleeson) picks up a signal on his wind-up radio (I knew those gadgets would come in handy eventually). Salvation? A cure? That’s what the recorded signal promises. Unfortunately it’s emanating from somewhere north of Manchester (a good 7 hour drive on a good day). Should they take the risk? Should they try and leave the city? Should I even ask silly questions?

After an enjoyable Dawn of the Dead-inspired shopping trip round a supermarket they depart in a Black Cab (taxi), although the trip out of the city involves some hazardous times escaping from the infected. The trip up north is just as desolate and scary as that in the city, but, during a stop for rest and sleep they garner some hope from the beautiful countryside and the unaffected wild animals around them. Surely the infected will die of starvation eventually? Surely their destination will be their salvation?

When they finally reach their intended destination they find a small group of army men who have set up base in an old stately home. The grounds have been fenced off, mines have been laid and giant floodlights erected. It seems like a great set-up, and Jim and co are happy to be there, even if the news of a cure was a lie. Unfortunately, the good news doesn’t last long. As the General says, “People have always killed people.” For him this is a state of normalcy, and, as it happens, Jim should be just as afraid of the soldiers as the infected.

Final Thoughts:

Okay, this is not really post-apocalyptic, if fact it's only apocalyptic for the British Isles, but it certainly has a PA feel, and the scenes of a desolate London have a great impact. If it wasn’t for the improbability of such a violent virus I would be inclined to say it's quite believable.

 I’m most impressed by the huge amount of original and creative ideas in the films, despite the fact that vast chunks of the story came both from the Dead films and Day of the Triffids (and, I am told, the ending of Robert Swindell's PA novel Brother in the Land). This is one of the few British films that I can really see as being popular elsewhere. It doesn’t underplay the British element, it isn’t embarrassed to be clearly British, but it doesn’t collapse under Fish and Chip Shops and Pubs, despite the liberal use of famous London landmarks and Black Cabs. It just seems to fit, it’s not trying to be an American blockbuster or an arty European film, and the fact that it was popular outside the UK goes on to prove that this is a style of confident British filmmaking that is there to be exploited.

Surely there's something I don’t like about the film? Well, yes (there always is), I’m not a huge fan of the whole army bit, I’m the kind of person who is inclined to think that the good side of human nature is more prevalent than tends to be depicted in these kind of situations. Sure, I’m probably disillusioned, but why are there always so many bad guys. Otherwise there isn’t much to complain about. There's lots of gruesome stuff, I can take it or leave it but I know some people go for it in a big way. Not for the squeamish.

The biggest compliment I can give it? I would happily watch it again tomorrow. This is still a superb horror film and one you simply must not miss.


Alternative Versions: Lots of versions with different scenes cut. See the bottom of IMDb's Trivia Page. Additionally, all 1,400 US cinema prints were sent out with an alternative downbeat ending.

Connections With Other PA's:

None known.

Critic's reactions: Very positive on a whole. list of reviews.

Regular Movie Goers Reaction:

Action, excitement and scares. If they can handle it then they will love it.

For the PA Collector:

Not really PA. The UK is devastated but nowhere else is really mentioned properly, plus, it's only 28 days later.... Still, the DVD is cheap and easy to find, so you shouldn't miss it.

Countries Released:

Worldwide.

DVD Release Info:

Various easy to find versions.

Actual Budget/Guessed Budget:

IMDb estimates $8 million and for once I would agree, if not place it slightly higher.

Our Score:

 8 out of 10

Media

 



UK Pal DVD


UK Special Edition

US DVD


Australian DVD?


Sony PSP version.


UK Quad


Unknown


US Preview poster (and wallpaper)

Trailer: Repeatedly removed by FOX

Comments:   Post your comments here: 28 Days Later

Factsheet:   Check out the: Fact Sheet